Two hours before Karim and Dan are going on a trip to Argentina, Dan leaves their apartment and disappears without any trace...
Rendered mute after a horrific assault in the park by a sadistic old paedophile, young Madeleine tries to escape the traumatic experience living in silence in her parents' farmhouse. However, things will take a turn for the worse, when an innocent offer for a lift by a handsome stranger in a flashy sports-car leads to a nightmarish life of prostitution, abuse, and drug addiction.
SWEET SICK TEENS
Oskar, a bullied 12-year old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't stand the sun or food and to come into a room she needs to be invited. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. How much can love forgive? Set in the Stockholm suburb of Blackeberg in 1982.
A musical love letter and tribute to the victims in horror films that didn’t make it to the sequel. In an anthemic song the dead unite across genres and time.
BUT Film Festival is proud to host this remarkable one-of-a-kind 1922 classic and fully digitally restored film by the Danish director with the pious name Christensen. Probably meant as a warning it passionately elaborates on paganism and witchcraft rituals that it can be seen as an avantgarde manual for those trying to comfort our Dear Dark Lord.
The screening is part of our HOLY SHIT! program and is made possible bij Chassé Theater and the Swedish Film Institute. Pianist KEVIN TOMA will accompany this special screening with live piano music, samples, beats and soundscapes.
A soon-to-be mother goes to a Planned Parenthood clinic for her last check up. But everything takes a dark turn for the worse.
Erland is about to celebrate his 50th birthday. His wife Greta has invited some friends over to their newly bought cabin for a party. Erland is not happy about the upcoming party especially when some of the guests are relatives to Greta which he doesn't like. The day before the party hell falls down a dried well and finds a box containing some old artifacts. Artifacts of evilness which are going to change his life forever.
An in-depth documentary about the mysterious German director Marian Dora (BUT guest 2010, and winner of the GROUNDREAKER award) and his masterpiece MELANCHOLIE DER ENGEL, steadily in the top lists of ‘most disturbing fi lms’. Who is this director, and what drives him (or her?) to make these extreme and sickening yet beautiful films?